Penumbra

Black Nativity has been an integral and soul stirring part of Penumbra Theatre tradition for 20 years. Throughout those many years, Penumbra Theatre’s Black Nativity production has woven tightly to itself a large, expansive family and community. I have had the honor of being one of many threads pulled through the fabric of that family; first as a member of the “sewing circle” in the production 15 years ago, and now as one of the directors, still acting as a griot to help pass on our stories.

After a brief moment (a deep breath) without Black Nativity, I’m thrilled to see it back on strong legs. The remounting of this show is exciting and important not only because it “…knits up the collective family,” but it also, in some small way, stands up to answer a barely audible cry from our community at large to focus on, cling to, and gather strength from what really matters… especially in the face of current events and gradual deterioration of our families.

The family in this year’s production of Black Nativity does just that. In the wake of heartache and adversity, the family reunites and stands firmly on a solid foundation of faith, hope, and tradition. This family comes together to preserve and pass on a rich legacy of love and history by witnessing through music, shouting through song, and testifying through dance.

I’m proud and overjoyed to declare “Here again the Christmas story…Go Tell It!”

Austene Van

Black Nativity has become a hallmark of the Twin Cities Christmas tradition. Over the years, patrons have witnessed many incarnations of the production, which celebrates the story of the birth of Christ as told through the lens of African American gospel music. Written originally in 1961 by Langston Hughes, Black Nativity is a patchwork compilation of traditional gospel songs, folklore and African American spirituality. While its point of origin is clearly black America, the rhythm of Hughes’ work reverberates through various modes of black culture to the far reaches of the Diaspora. Hughes wrote about himself, his family, his life and living. He loved black people. He marveled at, lamented and celebrated the black experience. He endeavored to write the spirit that would not die out, the very breath of a people that, in and of itself, was a revolution.

As we celebrate the season with the reunion of family and friends, I want to thank you, our patrons, for contributing to the health and prosperity of our theatre. Sustaining our cultural traditions is vital to our future and you’ve let us know that Black Nativity is one you truly cherish. Welcome home for the holidays!

Lou Bellamy

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