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Black Nativity - A Homecoming Title Page Thrivent Financial Foundation for Lutherans proudly presents
Black Nativity - A Homecoming
Conceived by T. Mychael Rambo & Lou Bellamy
Co-Directed by Austene Van & Lou Bellamy
Musical Direction by Sanford Moore
Stage Management by Mary K. Winchell*
Choreography by Uri Sands
Ensemble Choreography by Austene Van
ENSEMBLE
Ansa Akyea* Aimee Bryant* Ginger Commodore Cameron Hughes
Tonia Hughes Greta Oglesby*
Xavier Rice T. Mychael Rambo* Thomasina Petrus*
Dennis Spears* Jennifer Whitlock Jack Yates
DANCERS
Germaul Baines Yvonne Glenn
MUSICIANS
David Hurst (Keyboard) Kenyari Jackson (Percussion) Jay Young (Bass)
PRODUCTION
| Dramaturge & August Wilson Fellow | May Mahala | |
ASL Interpreter | Erika Dixon Goss | |
Costume Design | Greg Horton | |
Lighting Design | Mark Dougherty | |
Media and Sound Design | Martin Gwinup | |
Set Design | Jason Allyn-Schwerin | |
Assisant Costume Design | Carol Ann Winther | |
Hair & Makeup | Pam Pryor | |
Technical Director and Properties Master | Jason Allyn-Schwerin | |
Assistant Technical Director | Jordan Woods-Wahl | |
Sound Technician and Sound Board Operator | Montana Johnson | |
Light Board Operator | Mark Dougherty | |
Follow Spot | Tony Dies, Ron Schultz | |
Wardrobe | Erin Derge | |
Production Assistants | Tony Dies, Ron Schultz, Russell Zook | |
Master Carpenter | Jordan Estes | |
Scenic Construction | Bill Cassidy, Tony Dies, Dan Walters, Russell Zook | |
Scenic Artists | Carrie Andersen, Erinn Huntley, Angelique Powers | |
Electricians | Bill Cassidy, Tony Dies, Wu Chen Khoo |
THERE WILL BE NO INTERMISSION
THE USE OF CAMERA OR RECORDING DEVICES IS STRICTLY PROHIBITED
* Member, Actors Equity Association
Member, Society of Stage Directors and Choreographers
Special thank you to Patricia Lacy Aiken and Mrs. Thelma Buckner for the quilt and
Seitu Ken Jones for the original scenic design concept.
THIS ACTIVITY IS MADE POSSIBLE IN PART BY A GRANT FROM THE MINNESOTA STATE ARTS BOARD, THROUGH AN APPROPRIATION BY
THE MINNESOTA STATE LEGISTLATURE AND A GRANT FROM THE NATIONAL ENDOWMENT FOR THE ARTS
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